Chenonceau, the archetypical Loire chateau, was begun in 1512 when
Thomas Bohieu bought the old castle of Chenonceau and demolished the
existing building except for the great tower. The tower still stands in front
of the entrance to the chateau. Between 1513 and 1521, while Thomas
was engaged in his work as a tax collector for King Charles VIII, Catherine
Breconnet, his wife, oversaw the building project (Figure 29). The
palace-castle stands on piers of a former mill on the river bank. The builders
paid homage to the castle form by adding sham battlements, steep roofs,
dormers, gables, and corner turrets with conical roofs to what is essentially
a simple rectangular building. The library and chapel are corbelled out over
the water, but they are the only elements breaking through the flat walls.
Service areas, such as the kitchen and storage, are below water level in the
supporting piers. The builders had little time to enjoy their home, and
when they died their son gave the chateau to Francis I (1515–47) in payment
for debts. The king used the property as a hunting lodge. The French
king Henry II (1547–59) gave the chateau to his mistress, the famous
beauty Diane de Poitiers. Diane was intelligent and practical as well as
beautiful, and she turned the castle lands into a very profitable agricultural
estate and planted formal pleasure gardens beside the moat and river.
The next resident, Catherine de Medici, devoted herself to a rich and
worldly lifestyle, using Chenonceau as a place to hold magnificent parties.
The bridge across the river with its two-story gallery was built later by
Philibert Delorme for Catherine de Medici. Francis II (1559–60) and his
bride Mary Stuart (Mary, Queen of Scots) as well as Charles IX enjoyed
Catherine’s hospitality. On one occasion, the moat became the setting for
choirs of young women who, dressed as nymphs, splashed in its water and
then danced through the gardens pursued by young men disguised as satyrs.
Fireworks over the river officially ended the evening’s entertainment.