A thousand years after Murasaki, writers considered themselves clever if they managed to work in some reference to themselves in a story. (For instance, the twentieth-century British humorist P. G. Wodehouse had a character in a story suggest that the only writers worth reading were Leo Tolstoy, author of War and Peace, and P. G. Wodehouse.) Readers delighted in such instances of self-reference, just as movie fans have studied the films of Alfred Hitchcock for the director's trademark appearances as a background figure—a man passing by on the street, for instance—in his own films.
In fact this use of self-reference is an old technique, perhaps first pioneered in Murasaki's use of the character "Murasaki" in the Tale of Genji. Murasaki is a comforting presence, a gentle and sensitive figure who offers peace to the
Restless Genji. Perhaps this was a revelation of Murasaki's inner self; certainly her diary and autobiographical writings, composed after she joined the imperial court in 1005 as a companion to the emperor's young wife, reveal little about her real feelings.
In the Japanese culture of the Middle Ages, it was considered inappropriate for anyone to share their innermost thoughts with others, and this was doubly so for a woman of the upper classes. But Murasaki seems to have been even more reserved than most, because in her diary she remarked that other women of the palace resented her distant manner. She confessed through words delivered from Genji's mouth that she wrote because she "was moved by things, both good and bad," and wanted to "make [them] known to other people—even to those of later generations."
Little is known about who Murasaki was in life, and still less is known about how her life ended. It is possible that she left the court to become a Buddhist nun, and spent her final years in quiet contemplation. Some records indicate that she died in her thirties, others in her late forties. She is believed to be buried in Kyoto, but historians are unsure of her grave site's exact location.