Henry Ford was also an early manufacturer of airplanes, and while the airplane industry was not economically important in the 1920s, its development in that decade laid the basis for changes in lifestyles and attitudes at least as momentous as those produced by the automobile. The invention ofthe internal combustion gasoline engine, with its extremely high ratio of power to weight, made the airplane possible, which explains why the early experiments with “flying machines” took place at about the same time that the prototypes of the modern automobile were being manufactured. Wilbur and Orville Wright made their famous flight at Kitty Hawk, North Carolina, in 1903, five years before Ford produced his Model T. Another pair of brothers, Malcolm and Haimes Lockheed, built their Model G, one of the earliest commercial planes (commercial in the sense that they used it to take passengers up at $5 a ride) in 1913.
The Great War speeded the advance of airplane technology, and most of the planes built in the 1920s were intended for military use. Practical commercial air travel was long delayed. Aerial acrobats, parachute jumpers, wing walkers, and other daredevils who put on shows at county fairs and similar places where crowds gathered were the principal civilian aviators of the 1920s. They “barnstormed” from town to town, living the same kind of inbred, encapsulated lives that circus people did, their chief rewards being the sense of independence and pride that the successful performance of their highly skilled but risky trade provided.
The great event of the decade for aviation, still an achievement that must strike awe in the hearts of reflective persons, was Charles A. Lindbergh’s nonstop flight from New York to Paris in May 1927. It
Wilbur Wright glides at Kitty Hawk, 1903, ushering in a century where airplanes would become the basis for military power as well as the preferred means of long distance travel. Wilbur and his brother Orville realized that any airborne vehicle would need to move on three axes: to climb or descend, to steer to either side, and to bank in either direction. This resulted in a bi-wing design with a steering rudder.
Took more than thirty-three hours for Lindbergh’s single-engine Spirit of St. Louis to cross the Atlantic, a formidable physical achievement for the pilot as well as an example of skill and courage. When the public learned that the intrepid “Lucky Lindy” was handsome, modest, uninterested in converting his new fame into cash, and a model of propriety (he neither drank nor smoked), his role as American hero was ensured. It was a role Lindbergh detested—one biographer has described him as “by nature solitary”—but could not avoid.
Lindbergh’s flight enormously increased public interest in flying, but it was a landmark in aviation technology as well. The day of routine passenger flights was at last about to dawn. In July 1927, a mere two months after the Spirit of St. Louis touched down at Le Bourget Field in France, William E. Boeing of Boeing Air Transport began flying passengers and mail between San Francisco and Chicago, using the M-40, a plane of his own design and manufacture. Early in 1928 he changed the company name to United Aircraft and Transport. Two years later Boeing produced the first all-metal low-wing plane and, in 1933, the twin-engine 247, a prototype for many others.
In retrospect the postwar era seems even more a period of transition than it appeared to most people at the time. Rarely had change come so swiftly, and rarely had old and new existed side by side in such profusion. Creativity and reaction, hope and despair, freedom and repression—the modern world in all its unfathomable complexity was emerging.
Chapter Review