Despite the great variety of myths that existed on Micronesia’s many islands, certain themes can be found throughout the region. Origin myths typically dealt with the creation of the earth and sky, gods, islands,
Heroes, features of the landscape, humans, and other creatures. The main event in many creation myths was the separation of the earth from the sky. Stories about the older Nareau, for example, told how he ordered Sand and Water to mate. Two of their offspring then produced many beings, including Riiki, the eel. Riiki pushed up the sky, and Nareau created the sun, moon, stars, rocks, and a great tree. The ancestors of humans sprang from the branches of this ancestral tree.
Micronesians worshiped ancestral spirits that were associated with particular purposes and places. Priests and healers communicated with these beings through dreams and trances. This wooden ancestral figure comes from the Caroline Islands. COPYRIGHT © 19992008 BY THE SMITHSONIAN INSTITUTION. ALL RIGHTS RESERVED.
Myths about travels between the sky and the earth were also quite common. Stories about the trickster Olifat often described his journeys up to heaven and his descents to earth. In addition, a mythical child named Thilefial traveled to the sky to escape mistreatment on earth and then returned to earth to take revenge.
Micronesians believed that the gods made humans mortal—subject to death—and various myths dealt with death and the afterlife. According to one myth, when gods first created humans, men and women lived separately under two different trees. The guardian spirit Na Kaa warned them not to leave their particular trees, but once during his absence, the men and women gathered under the same tree. When Na Kaa returned, he told them that they had chosen the Tree of Death. This was how humans became mortal. When humans died, their souls journeyed either to a paradise (underwater or in the sky) or to a gloomy underworld realm whose gates were guarded by evil spirits.
The adventures of tricksters were a common feature in Micronesian myths. The trickster Olifat annoyed the gods, made fools of men, and sometimes caused human injury or death.
Many stories about him tell how he changed his form to a bird, an animal, or an object to escape detection or punishment. Despite his often harmful behavior, Olifat sometimes helped humans who sought his advice about love and other personal matters. He is also credited with introducing the art of tattooing to the people of Micronesia.
Many Micronesian myths featured animal tricksters. The stories usually revolved around three main characters, such as a rat, a crab, and either a turtle or an octopus, and recounted the pranks they played on other creatures. The myths also helped explain the relationships among various animals.
Some evil characters in Micronesian myths were cannibal spirits or ogres. Usually characterized by their strength and stupidity, these creatures could be frightened away by loud noises and were terrified offire. A well-known mythological hero was the ogre-killing child who sometimes saved entire villages by destroying the evil creatures.
Tales about Palulop (pronounced pay-LOO-lop), a great canoe captain, and members of his family were popular in the Caroline Islands. The stories were complex, included a bewildering array of characters, and dealt with many different subjects. One story told how Palulop’s sons Big Rong and Little Rong became jealous of their younger brother Aluluei and killed him. Palulop brought Aluluei back in spirit form and gave him lots of eyes that shone like stars to help the boy protect himself.
Another well-known myth involved a porpoise girl, a mermaid-like creature who came to land either to steal something or to watch people dance. While she was on land, a man hid her tail, preventing her from returning to the sea. The porpoise girl married the man and had children. Many years later she found her tail and returned to the sea after telling her children never to eat porpoise. Stories of this type, in which people learn not to eat certain foods, were often used to explain the origin of certain food taboos. In some versions of the myth, the girl came from the sky and the man hid her wings.