Throughout Mesopotamian history, the legitimacy of kings was conceptualized in terms of their closeness to the divine world through divine descent, divine favor, marriage to a goddess, or superhuman stature. All these themes were already alluded to in one of our earliest royal inscriptions, the so-called Stele of the Vultures in honor of Eanatum of Lagash (2450 bce). His birth and upbringing were described in superhuman terms:
The god Ningirsu implanted the seed for Eanatum in the womb and. . . rejoiced over him. The goddess Inana accompanied him, proclaimed him ‘‘Worthy in the Eana-temple of Inana of the Ibgal-shrine,’’ and set him on the special lap of the goddess Ninhursag. Ninhursag offered him her special breast. Ningirsu rejoiced over Eanatum, the seed implanted in the womb by Ningirsu. Ningirsu laid his span upon him, for (a length of) five forearms he set his forearm upon him: (he measured) five forearms, one span (2.75 meters). Ningirsu, with great joy, gave him the kingship of Lagash. (After Cooper 1986: 34)
Such themes were characteristic of celebrations of the king throughout Mesopotamian history. But the innovation of according the king himself divine status first occurred some time in the middle of the reign of Naram-Sin of Akkad (2254-2218 bce), and its origin was dramatically described in one of his inscriptions:
Naram-Sin, the mighty, king of Akkad - when the four quarters together revolted against him, through the love which Ishtar showed him, he was victorious in nine battles in one year, and the king whom they had raised (against him) he captured. In view of the fact that he had protected the foundations of his city from danger, (the citizens of) his city requested from Istar in Eana, Enlil in Nippur, Dagan in Tuttul, Ninhursag in Kesh, Ea in Eridu, Suen in Ur, iiamas in Sippar, and Nergal in Kutha, that (Naram-Suen) be (made) the god of their city, and they built within Akkad a temple (dedicated) to him. (Frayne 1993: 113-14)
At the heart of this deification was the writing of the king’s name with the determinative for ‘‘god.’’ This practice was in regular use down to the end of the Kassite period (Seux 1980-3: 170-1). Other markers of royal divinity were more restricted in time. Akkad, Ur III, and Old Babylonian kings were described in epithets as gods. Ur III and Old Babylonian kings had hymns written in their honor. Ur III kings received religious offerings in their own lifetime (Klein 1981: 29-36; Kraus 1974: 241-50; Romer 1965: 55-7; Sallaberger and Westenholz 1999: 153-4).
For much of this period there is little evidence of any native reflection on divine kingship. Fortunately, the concept suffuses many of the compositions preserved on
Old Babylonian literary tablets. We can contrast this with the non-divine kingship presented in the first millennium corpus. Crucial to each vision of kingship was how the balance of responsibility for cosmic order was distributed between the king and the divine world.